One of the things that I wanted to do with Notes From the Apotheke was to amplify the voices and contributions of BIPOC scholars in ancient Mediterranean studies, at all levels and from all backgrounds. BIPOC in the field are invited to reflect on what brought them to studying the ancient world, as well as offer their opinions on the future of the discipline and share any work they are especially proud of or excited about.
This month’s installment of the series features Hardeep Singh Dhindsa, a third year Classics PhD student in the UK and art historian of Early Modern Europe whose work interrogates the role Classics has played in the development of (white) British identity.
